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As such, it features the same generous zoom range, equating to mm in full-frame terms, but is physically smaller and only about two-thirds of the weight. Even so, it makes a conveniently compact travel lens and is good for everyday shooting with a Nikon Z50 or Z fc body, with good image quality and nice handling, enhanced by a 5-stop optical stabilizer and customizable control ring.

Sharpness and contrast are spectacular, while bokeh is lusciously smooth. Colour fringing, distortions and vignetting are very well controlled. At around half the price of the Nikon lens, the Sigma is vastly better value. With class-leading wide-angle coverage and a generous zoom range, this lens is equivalent to using a mm lens in 35mm camera terms. High-tech attractions include an electromagnetically controlled diaphragm, ring-type ultrasonic autofocus, a focus distance scale beneath a viewing panel, four ED Extra-low Dispersion elements and Nano Crystal Coat.

Keep-clean fluorine coatings are also applied to the front and rear elements. In fact, it's probably the best Nikon lens for beginners to get. The other advantage is that if you do upgrade to a full frame Nikon in the future, you can carry on using your telephoto lens. Optical finery includes two aspherical elements, a top-quality fluorite element, a short-wave refractive element and no less than six ED Extra-low Dispersion elements. Advanced handling characteristics include two customisable Lens Function buttons, a customisable control ring and a multi-mode info display.

Autofocus is super-fast and unerringly accurate, while VR has a mighty 5-stop effectiveness. Build quality is rock solid and image quality is simply stunning. Highlights include an ED Extra-low Dispersion element in the optical path, a speedy and ultra-quiet stepping motor autofocus system, and highly effective 5-stop VR.

Image quality is impressive although, as with most budget telephoto zooms, sharpness drops off a little at the long end of the zoom range. This is the ideal focal range for a telephoto zoom, and there are lots of similar mm lenses on the market.

New-generation VR Vibration Reduction gives enhanced 4. This enables easier tracking of erratically moving objects in the viewfinder, as well as avoiding any slowdown in rapid continuous shooting.

All-round performance is excellent and image quality is absolutely top-drawer. It might seem expensive right now, but this lens will prove its worth in the future. For some subjects you need more magnification than a regular mm or mm lens can provide. This is where you need a super-telephoto of up to mm focal length, and this is where the new breed of mm zooms is ideal.

This is the best Nikon lens for wildlife and long-range sports fans and could be especially good for aviation nuts. Most dedicated macro prime lenses, however, deliver a full 1. The 1. Handling exotica includes a multi-function OLED display, a customizable Lens-function button and control ring, plus an autofocus range limiter, along with an electronically coupled focus ring that enables ultra-fine adjustments. Image quality, all-round performance and handling are simply sensational.

This means it features a host of upgrades including improved optical performance, nano-structure coatings, weather-seals and a fluorine coating on the front element. It matches the Nikon for build quality and image quality as well, making the Tamron the best Nikon-fit lens for extreme close-ups. The only catch is that, for full 1. Nevertheless, if you own a DX Nikon and shoot macros only occasionally, this is the best Nikon lens for the job. Like with a macro lens, there can be advantages in shooting with an FX format lens on a DX format body.

The crop factor and narrower angle of view is unlikely to matter. However, a 50mm DX format lens will give a comparable angle of view of 75mm equivalent, which is near enough to the classic 85mm focal length not to matter, and will be a cheaper option for Nikon DX camera owners. The focal length is ideal for head-and-shoulders and half-length shots from a natural shooting distance. A drawback of unstabilized 85mm telephoto lenses is that camera-shake can degrade sharpness in handheld shooting, but the in-body stabilization of Z 6 and Z 7 cameras helps to deliver consistently sharp shots.

But despite its modest aperture rating, this Z-mount lens delivers sumptuous image quality, with amazing levels of sharpness across the whole image frame and negligible distortion or colour fringing. Autofocus is very fast and virtually silent, and the lens is well-built with a weather-sealed construction. It enables a comfortable shooting distance and a tight depth of field, so you can make the main subject really stand out against a blurred background. The pro-grade construction includes weather-seals and the overall finish is immaculate.

Considering the downmarket price, build quality feels pretty good, right down to the weather-sealed metal mounting plate. The lens comes complete with a hood, despite the front element being deeply recessed within the barrel.

You get ring-type ultrasonic autofocus complete with full-time manual override and a focus distance scale positioned beneath a viewing panel. One final advantage is that this is actually an FX full frame lens, so if you move up to a full frame Nikon in the future, you can use it as a compact standard lens. Join now for unlimited access.

Rod is the Group Reviews editor for Digital Camera World and across Future's entire photography portfolio, with decades of experience with cameras of all kinds. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more.

Sign in View Profile Sign out. A full range of F mount pro lenses. Renowned NIKKOR F mount lenses are praised by top professionals for their superior clarity and sharpness and are available for most every application—from ultra-wide-angle to super-telephoto. With astonishing image rendition for indoor events and low-light scenes, NIKKOR's lineup of fast super-telephoto lenses are ideal for sports and wildlife photographers.

Real-world dependability. Built tough. The extremely robust and durable D6 is constructed with incredibly strong, yet remarkably lightweight magnesium alloy to stand up to the toughest professional demands while maintaining high electromagnetic-shielding and heat-emission performance. The shutter unit has been tested for , cycles. Pro-grade weather sealing.

Extensive sealing of joined sections ensures Nikon's most comprehensive resistance to dust and water droplets, designed to keep out the elements so photographers can continue to shoot with the utmost confidence. Illuminated controls. Easily change camera settings in the dark with top and rear LCD control panels and buttons that illuminate with the flick of a lever. The ultimate shape shifter. On fast-paced assignments, being ready for every critically decisive moment is paramount.

With so many ways to customize settings and shortcuts, the D6 truly adapts to every workflow. Instant access to presets. With recallable shooting functions, sports photographers can effortlessly switch between preset camera settings— great for events like track and field where dynamic-area AF may work best for some events while auto-area AF may be better for others. Advanced customizations. The D6 has a total of 14 buttons that can be personalized with up to 46 different functions for quick, intuitive access to your favorite settings.

Intuitive i menu. The i button provides a shortcut to a wide selection of frequently used camera settings for speedy adjustments.

The i menu can be customized to show the settings you use most—streamlining your workflow. Save time by saving menu settings. Conveniently store and label up to four custom shooting combinations from the Custom Settings Menu and up to four from the Photo Shooting Menu for quick access in the i menu—a major time saver for rapidly-changing shooting environments. High-resolution monitor with full touch control. Outfitted with a beautiful k-dot high-resolution, fully touch-operable 3. Button-free image annotation, transfer and more.

Dual CFexpress card slots. Files can be copied between cards or played back from either card. Clear, lag-free optical viewfinder. The brilliant optical viewfinder OVF in the D6 was designed for clear, real-time visibility with a natural, stress-free viewing experience under various lighting conditions, even during long hours of shooting.

Built-in GPS. When knowing the exact location a photo or video was taken is beneficial—nature and landscapes, astrophotography, photojournalism—the D6 can automatically record accurate location and time data and store it along with the image file. The most well-connected Nikon flagship camera ever. In the studio, wireless LAN connections can be obtained with either the built-in dual band 2. Standardized metadata editing. Optimized for creativity.

Long exposures made easy. No remote necessary. Style-defining creative filters. The D6 includes 20 unique Creative Picture Controls, all of which can be previewed in real-time and applied to both photos and videos. Spend more time in the field focusing on being creative and less time post-processing. Multiple ways to create multiple exposures. With the D6, surreal, expressive multiple exposure photography can be created traditionally while shooting consecutive photos or by combining any photo previously shot with the camera using the retouch menu.

Focus stacking made easy. Impressive video capability. The D6 is up to the challenge when video content is part of the assignment.

Capture beautifully-detailed 4K Ultra HD 3, x 2, with an angle of view approx. Plus, a host of helpful capture tools like focus peaking, zebra stripes, timecode and electronic VR. Ultimate lighting control. Make subjects stand out, enhance natural and available light and add artistry and drama to any scene with Speedlights engineered and optimized specifically for Nikon cameras. Dependable, all-day shooting.

Comfortable shooting. The D6 is outfitted with the same deep, secure grip and button layout as the D5 for comfortable, ergonomic shooting on long assignments. Dimensions Width x Height x Depth 5. Weight Up to 2x angle of view equivalent to that of approx.

Electronically-controlled 6-blade iris diaphragm. Viewfinder Collapse Viewfinder Viewfinder Electronic viewfinder, 0. Monitor Collapse Monitor Monitor Size 3. Programmed auto exposure with flexible program Aperture-priority auto Exposure bracketing Manual Shutter priority auto Exposure compensation Programmed Auto. Up to 7 shots at. Can be selected from 10 or 2 seconds duration. Yes via optional WU-1a. EN-EL5: shots. Compatible With. Learn more about the ViewNX-i. Product Forum. ForumError ProductDetail.

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The Nikon F-mount is a type of interchangeable lens mount developed by Nikon for its 35mm format single-lens reflex cameras. The F-mount was first introduced on the Nikon F camera in , and features a three-lug bayonet mount with a 44 mm throat and a flange to focal plane distance of The company continues, with the D6 model, to use variations of the same lens mount specification for its film and digital SLR cameras.

The Nikon F-mount is one of only two SLR lens mounts the other being the Pentax K-mount which were not abandoned by their associated manufacturer upon the introduction of autofocus , but rather extended to meet new requirements related to metering , autofocus , and aperture control. The large variety of F-mount compatible lenses makes it the largest system of interchangeable flange-mount photographic lenses in history. Over different Nikkor lenses are compatible with the system other details can be found at the Nikkor The Thousand and One Nights site [1].

The F-mount is also popular in scientific and industrial applications, most notably machine vision. The F-mount has been in production for over 50 years, the only SLR lens mount with such longevity. Numerous other manufacturers employ the F-mount in non-photographic imaging applications.

The F-mount has a significant degree of both backward and forward compatibility. Many current autofocus F-mount lenses can be used on the original Nikon F , and the earliest manual-focus F-mount lenses of the s and early s can, with some modification, still be used to their fullest on all professional-class Nikon cameras. Incompatibilities do exist, however, and adventurous F-mount users should consult product documentation in order to avoid problems.

For example, many electronic camera bodies cannot meter without a CPU enabled lens; the aperture of G designated lenses cannot be controlled without an electronic camera body; non-AI lenses manufactured prior to can cause mechanical damage to later model bodies unless they are modified to meet the AI specification; and AF-P lenses introduced in will not focus, even manually, on cameras introduced before roughly DX lenses may produce vignetting when used on film and FX cameras.

However, Nikon lenses designed for film cameras will work on Nikon digital system cameras with the limitations noted above. F-mount lenses lock by turning counter-clockwise when looking at the front of lens and unlock clockwise. Nearly all F-mount lenses have zoom and focus controls that rotate in the clockwise direction as viewed from behind the camera to increase focal length and focus distance respectively.

This convention is also used in Pentax K-mount and Sony A-mount lenses but is opposite of the direction normally used by Canon. The aperture rings have two sets of f-stop numbers. On cameras equipped with Nikon's Aperture Direct Readout ADR system, a small window under the pentaprism reads the smaller scale and displays the selected f-stop in the viewfinder. Nikon has introduced many proprietary designations for F-mount Nikkor lenses, reflecting design variations and developments both in lenses and the F-mount itself.

There are also "unofficial" designations used by collectors and dealers to differentiate similar lenses. Nikon PC lenses, like other perspective control lenses , offer adjustments that duplicate certain view camera movements. The 28mm and 35mm PC lenses support shifting the lens in relation to the film or sensor plane, while Nikon's 19mm, 24mm, 45mm, and 85mm PC-E lenses also support tilting.

The 45 mm and 85 mm "Micro" lenses offer close focus 0. The last optical redesign of this 35mm lens was released in This was the last of the completely manual PC-Nikkors to be offered. These lenses are needed for autofocus on certain newer low-end Nikon cameras which lack an autofocus motor. They are manufactured by Cosina to Zeiss specifications.

ZF is the original product line. ZF-I lenses add mechanical locks for focus and aperture, and additional environmental sealing, for industrial applications. ZF-IR lenses are adapted to infrared imaging, with coatings that transmit wavelengths up to nm, and focus scales marked for infrared.

From Wikipedia, the free encyclopedia. Lens mount. For the Konica lens mount, see Konica F-mount. The Nikon F of embodies the original F-mount. Main article: List of Nikon F-mount lenses with integrated autofocus motor.

Main article: Nikon F-mount teleconverter. Main article: Carl Zeiss Cinema lenses. Main article: Hartblei. Main article: Kenko. This list is incomplete ; you can help by adding missing items. August Retrieved Retrieved January 11, Cooper and Joseph C. Nikon F Nikkormat Handbook of Photography 2nd, including four updates ed.

New York: Amphoto. Retrieved 10 April Archived from the original on July 22, Nikon Corporation. Archived from the original on Nikon Imaging. Retrieved 16 November Nippon Kogaku KK. March Nippon Kogaku K. Nikon-Nikkormat Handbook. ISBN Nikon Kogaku, K. Wikimedia Commons has media related to Nikon F-mount.

Nikon Nikkor lenses. List of Nikon F-mount lenses with integrated autofocus motor Nikon F-mount teleconverter. Nikon film SLR timeline. Nikon DSLR timeline comparison. Namespaces Article Talk. Views Read Edit View history.

Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. Oct Jan Jul Feb May [b]. Jun Sep F N F90 N F90X N90s. Fs Ns. F80 N F70 N F75 N FM N Pronea S. Zoom Nikon Auto F50 N F65 N Fx N F60 N F55 N D AT. D A. D A -P.